Key to a Paperless Classroom.


The MOOCs and  e-portfolios.




ABSTRACT.

Digital tools are increasingly being used to support teaching in higher education. These tools place new demands on the tasks and responsibilities of the teacher, and can influence teacher roles. In this study we investigate the long-term use and development of a tool for facilitating the negotiation of meaning in argumentative student texts, through teacher and peer feedback. From this setting new teacher roles have emerged.

Teacher roles are acted out in concert with the conditions and characteristics of a teaching-learning environment (Entwistle, McCune & Hounsell, 2002). The conditions for teaching in higher education in Norway and elsewhere are being increasingly influenced by the use of digital tools for pedagogical purposes, and governmental strategic planning documents express high expectations about the positive effects that technology will have on teaching and learning (Norwegian Public Reports, 2000). The research reported in this paper explores the consequences of this development on teachers roles, specifically how a digital tool embedded in a context for teaching in higher education contributes to changing the conditions for teaching and the roles of the teachers.


Keywords:

Teacher roles, Higher education, Communities of practice, Teaching-learning environment, Digital tools.

Introduction


The teacher roles are embedded in a teaching-learning environment, of which the digital tool is a partial constituent. Several interrelated aspects constitute these environments, and thus are part of the conditions for carrying out the role of the teacher. Fjuk and Ludvigsen (2001) give examples of the aspects that can be seen as forming the poles for interconnections in a distributed collaborative learning environment:
“... theories of learning and instruction, subject domains, teacher’s roles, delivery institution's educational praxis and tradition, organisational and administrative arrangements, costs, properties of ICT (information- and communication technology) and available software, geographical distances between co-learners, etc. Any changes associated with one of these aspects will inevitably influence and change the others.” (Fjuk & Ludvigsen, 2001, p. 237, italics in original).


The MOOC-- ePortfolio.

The IT revolution that was supposed to transform higher education has failed to materialize, at least in the way we had imagined it. The revolution did occur, but not directly within higher education--instead, it changed the overall nature of work in our culture. And now, higher education seems to be behind the curve, struggling to catch up. Enter the MOOC a relatively new buzzword meaning Massive Open Online Course.  And it holds hope for many as a way for higher education to "catch up." Indeed, MOOCs could be one way to get ahead of the curve again, or, they could become a yet another material threat to higher education. Here's how to turn this "threat" into something much more positive.
As a shockingly sudden phenomenon, MOOCs are really only one symptom of openness, the general effect of digital technologies making information and knowledge ubiquitous, universal, and in many cases free. Enrolling millions of students worldwide  "How Free Online Courses Are Changing the Traditional Liberal Arts Education," a PBS Newshour report from January 8, 2013.

Does make the MOOCs seem like a threat to the higher education establishment (except for those institutions offering them). But to learners everywhere, MOOCs seem to open the door to learning opportunities undreamed of just a few years ago. Wherever there is broadband connectivity, people anywhere in the world can sign up for courses offered by faculty from some of the most prestigious universities in the world. Are we seeing pent-up demand at a massive scale. Still, there are valid questions: 
Are students really learning? and from what could seem merely a very, very large lecture hall?  

If they are learning by participating in MOOCs, how can we know that? And how can that learning be better documented and visible?

Students in MOOCs may take tests and may have some contact with other students and with a mentor, but to say that anyone knows these students as much as a professor does in a traditional setting is a real stretch. 
MOOCs offer great lecturers, there are social dimensions to the MOOC experience, good graphics, shorter segments of learning for better grasp, and so on, but we are left with huge questions.

Would MOOCs be massive if they were not free? 

What do we conclude from the very low completion rate?

And, how can MOOC enrollees receive recognition of their learning from a formal degree-granting institution? 

E-Portfolios: 

The Quiet Revolution We turn to a now familiar technology electronic portfolios. Quietly, especially over the past five years, electronic portfolio use has been spreading in higher education both in the U.S. and internationally. The ePortfolio industry is booming. In the U.S., thousands of colleges and universities are using ePortfolios to enhance learning, to move from teaching to learning, to make learning more active, to help redesign programs, to improve student employability, and to address accountability demands.
In other words, ePortfolios are now part of the enterprise for many or most institutions. A major benefit of ePortfolios is that they allow learners to collect evidence of their learning in the classroom, of their work in team projects, and of their work outside of the classroom. And, of course, they may be used to collect evidence from any learning experience. ePortfolios stay with the learner, so learners have a persistent record of their achievements and competencies. Learners enrolled in MOOCs would increase the value of their experience by using an ePortfolio. ePortfolio accounts are available for individuals anywhere; the ePortfolio providers host the functionality and data on their own servers. Many ePortfolio providers also offer mobile apps, so a smart phone is sufficient in many cases to capture evidence and to upload the evidence to the ePortfolio. What kind of evidence? Both the learner and others who might see the ePortfolio want some kind of meaningful record of the learning experience. If a MOOC involves active learning, then photos or video clips or audio clips could record the activity. An audio clip can also be a spoken reflection on the active learning. If the MOOC provides opportunities for social interaction with other participants, then the learner and his/her team can work within an ePortfolio system, in the group work module. And who would look at and evaluate the evidence? Aside from employers, who do increasingly value ePortfolios for hiring, others who might look at the evidence are colleges and universities that have staff dedicated to "assessment of prior learning." [See Learning Counts, for example, or CAEL for more on assessment of prior learning. 

Assessment of prior learning or "recognition of prior learning" is an emerging global phenomenon. Aside from helping to get credit for the learning accomplished in a MOOC by the assessment of prior learning route, ePortfolios can also expand the learning within the ePortfolio itself. Being able to look back at your own work in your ePortfolio and then integrate that work, or assess it, or see your own changes over time, is in itself a learning experience. MOOC learning, or any kind of learning, can be extended by reflection within an ePortfolio. What Does "Taming" Mean? Getting back to the title of this article, "The Taming of the MOOC With ePortfolio Evidence," you might ask, what does "taming" mean? It could seem that MOOCs are wild, unpredictable, and dangerous to educational institutions. 

However, to the extent that ePortfolio evidence can close the loop by bringing the MOOC learner back into the educational establishment through assessment of the ePortfolio evidence, the "wild" energy of MOOCs can be turned to the benefit of educational institutions. Electronic portfolios are native to openness: They stay with the learner, they are in the cloud, and the technology has become wondrously capable and intuitive. MOOCs are one manifestation of our era of openness in which learning opportunities are almost infinite. MOOCs need ePortfolios to improve their value. It might have seemed a short while ago that a learner could only get an ePortfolio account when enrolled at an institution. Today, however, some ePortfolio providers, perhaps a majority of them, offer individual accounts. Or, of course, the MOOC organizations could, themselves, arrange for ePortfolio accounts for their enrollees, with the enrollees paying for their ePortfolio accounts. It will seem odd if they don't do this. There's no doubt MOOCs have arrived massively. The challenge has become how to "see" the learning in a MOOC, how to assess it, and how to credential it. If MOOC organizations add ePortfolio opportunities, MOOC learning can be more valuable, more permanent, and more useful. Educators and learners everywhere will benefit from the continued spread of ePortfolios and the concurrent spread of ePortfolio wisdom about best uses of ePortfolios. ePortfolio technologies remain as a transformative, anticipatory technology. And now, they can help "tame" the flood of openness and educational opportunity as MOOCs and other new modalities arise.



  'Basic ePortfolios and Skitch  is a remarkable app that allows students to annotate over images.'



One of the challenges I faced was taking a character analysis chart and and transforming it into the digital, cloud-based world so students can interact with the content anywhere. Since the chart contained a table, Google Docs mobile was out, because the table feature is not available yet on the iPad.  We brainstormed several alternatives including Pages, Notability, and Doceri, but settled on Skitch since it allowed students to type on the image, size it easily, save to a camera roll, and can be uploaded to Google Drive.

Step 1:  Getting the image to Skitch:

First I tried to take a picture of the paper and import it into Skitch. The quality was of the image ok, but I was not quite satisfied.  There had to be an even better solution,  and I found it!

On the computer, I copied the chart from Word (edità Select All-> Copy)  to a PowerPoint slide (New Slide à Paste) and saved the slide as an image, a JPEG. I passed this on to the students.


To Save a PowerPoint Slide as an image do the following:

On the computer, I copied the chart from Word (edit→ Select All-> Copy)  to a PowerPoint slide (New Slide → Paste) and saved the slide as an image, a JPEG. Again I passed this on.



Step 2: Editing and Saving the Image:

The kids saved the image into their camera roll on the iPad, then opened Skitch, and imported the image.  Each student added information to the chart daily and saved the image to the camera roll at the end of the class period. 

Assessment.

The classroom workflow for the week was for, students to open Skitch, import their edited image from the previous day, and keep adding content. Students saved it to the camera roll and e-mailed the completed chart to me for grading.  



Fig 1 learning the future way.



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